Oscars 2019: In an upset, ‘Green Book’ wins best picture

The segregation-era road-trip drama “Green Book” was crowned best picture at the Academy Awards, handing Hollywood’s top award to a film seen as a feel-good throwback to some but ridiculed as an outdated inversion of “Driving Miss Daisy” by others.

In a year where Hollywood could have made history by bestowing best-picture on Netflix (“Roma”) or Marvel (“Black Panther”) for the first time, the motion picture academy instead threw its fullest support behind a traditional interracial buddy tale that proved as popular as it was divisive. But Peter Farrelly’s “Green Book” weathered criticism that it was retrograde and inauthentic to triumph over more acclaimed films and bigger box-office successes. Spike Lee was visibly upset by the win.

“Green Book” also won best supporting actor for Mahershala Ali and best original screenplay.

Oscars 2019: Full list of winners

The trio then presented best supporting actress to Regina King for her pained matriarch in Barry Jenkins’ James Baldwin adaptation “If Beale Street Could Talk.” The crowd gave King a standing ovation for her first Oscar.

“To be standing here representing one of the greatest artist of our time, James Baldwin, is a little surreal,” said King. “James Baldwin birthed this baby.”

The inclusivity of the winners Sunday stood in stark contrast to the #OscarsSoWhite backlash that marked the 2016 and 2015 Oscars. Since then, the academy has worked to diversify its largely white and male membership, adding several thousand new members and opening the academy up internationally.

More women won Oscars than ever before. Still, this year’s nominations were criticized for not including a female best director nominee or a best-picture nominee directed by a woman.

Though the once presumed front-runner “A Star Is Born” appeared to flame out as awards season continued, it won, as expected, for the song “Shallow,” which Lady Gaga and Bradley Cooper performed during the ceremony. As she came off the stage, Cooper had his arm around Gaga as she asked, “Did I nail it?”

Best documentary went to Elizabeth Chai Vasarhelyi and Jimmy Chin’s “Free Solo,” which chronicles rock climber Alex Honnold’s famed, free solo ascent of Yosemite‘s El Capitan, a 3,000-foot wall of sheer granite, without ropes or climbing equipment. “Free Solo” was among a handful of hugely successful documentaries last year including the nominated Ruth Bader Ginsberg documentary “RBG” and the snubbed Fred Rogers doc “Won’t You Be My Neighbor.”

“Thank you Alex Honnold for teaching us to believe in the impossible,” said Vasarhelyi. “This film is for everyone who believes in the impossible.”

Adam McKay’s Dick Cheney biopic “Vice” won makeup and hairstyling for its extensive physical transformations. The category was one of the four that the academy initially planned to present during a commercial break and as its winners — Greg Cannom, Kate Biscoe and Patricia Dehaney — dragged on in a litany of thank-yous, they were the first to have their microphone cut off.

To turn around ratings, Oscar producers pledged a shorter show. In the academy’s favor is a popular crop of nominees: “Bohemian Rhapsody,” ”A Star Is Born” and, most of all, “Black Panther” have all amassed huge sums in ticket sales. Typically, when there are box-office hits (like “Titanic”), more people watch the Oscars.

Associated Press writers Kristin M. Hall and Lindsey Bahr contributed to this report.

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